Little Father Time

Festina Lente
design-is-fine:

Aubrey Beardsley, gilt design for La Morte D’Arthur, Sir Thomas Malory, 1927. Via dreweatts

design-is-fine:

Aubrey Beardsley, gilt design for La Morte D’Arthur, Sir Thomas Malory, 1927. Via dreweatts

theraccolta:

Joseph Aloisius Ratzinger, born on April 16, 1927


Let us pray for our Pope Emeritus, Benedict XVI.May the Lord protect him and grant him length of days. Amen May the Lord be his shield and deliver him from all harm. Amen May the Lord give him happiness and peace all the days of his life. Amen

theraccolta:

Joseph Aloisius Ratzinger, born on April 16, 1927

Let us pray for our Pope Emeritus, Benedict XVI.
May the Lord protect him and grant him length of days. Amen 
May the Lord be his shield and deliver him from all harm. Amen 
May the Lord give him happiness and peace all the days of his life. Amen

(Source: New York Daily News)

theraccolta:

"Tenebrae" (Latin for ‘shadows’ or ‘darkness") is the name given to the service of Matins and Lauds belonging to the last three days of Holy Week. It differs, in many things, from the Office of the rest of the year. All is sad and mournful, as though it were a funeral service; nothing could more emphatically express the grief that now weighs down the heart of our holy Mother the Church. Throughout all the Office of Thursday, Friday and Saturday, she forbids herself the use of those formulas of joy and hope wherewith, on all other days, she begins her praise of God. Nothing is left but what is essential to the form of the Divine Office: psalms, lessons and chants expressive of grief. The tone of the whole Office is most noticeably mournful: the lessons taken from the Lamentations of Jeremias, the omission of the Gloria Patri, of the Te Deum, and of blessings etc., so the darkness of these services seems to have been designedly chosen to mark the Church’s desolation. The lessons from Jeremias in the first Nocturn, those from the Commentaries of St. Augustine upon the Psalms in the second, and those from the Epistles of St. Paul in the third remain now as when we first hear of them in the eighth century.

(via purgatorialsociety)

6 days ago - 56
the-seraphic-book-of-eloy:

Creation - Bible historiale, Guyart des Moulins, 1411

the-seraphic-book-of-eloy:

Creation - Bible historiale, Guyart des Moulins, 1411

(via the-unknown-friend)

damsellover:

Bela Lugosi, 1951.

damsellover:

Bela Lugosi, 1951.

(via the-dark-city)

To man has been given the grief, often, of seeing his gods overthrown and his altars crumbling; but to the wolf and the wild dog that have come in to crouch at man’s feet, this grief has never come. Unlike man, whose gods are of the unseen and the overguessed, vapors and mists of fancy eluding the garmenture of reality, wandering wraiths of desired goodness and power, intangible outcroppings of self into the realm of spirit — unlike man, the wolf and the wild dog that have come in to the fire find their gods in the living flesh, solid to the touch, occupying earth-space and requiring time for the accomplishment of their ends and their existence. No effort of faith is necessary to believe in such a god; no effort of will can possibly induce disbelief in such a god. There is no getting away from it. There it stands, on its two hind-legs, club in hand, immensely potential, passionate and wrathful and loving, god and mystery and power all wrapped up and around by flesh that bleeds when it is torn and that is good to eat like any flesh.

White Fang, Jack London

the-two-germanys:

Practical Taxidermy & Home DecorationJoseph H. BattyNew York: Orange Judd Co., 1890.

the-two-germanys:

Practical Taxidermy & Home Decoration

Joseph H. Batty
New York: Orange Judd Co., 1890.

moika-palace:

Mise D’un jeune homme by Bernard Boutet de Monvel, 1912.

moika-palace:

Mise D’un jeune homme by Bernard Boutet de Monvel, 1912.

(via my-ear-trumpet)